Posts Tagged ‘ Film ’

Verity

“To spend time with a child is to dwell under the terms of an uneasy truce between the possibility of the present and the inevitability of the future. Our deepest hope for the children we love is that they will enjoy the liberties of an open-ended destiny, that their desires will be given the free play they deserve, that the circumstances of their birth and upbringing will be felt as opportunities rather than encumbrances; our greatest fear is that they will feel thwarted by forces beyond their control. At the same time, we can’t help poring over their faces and gestures for any signals of eventuality — the trace hints and betrayals of what will emerge in time as their character, their plot, their fate. And what we project forward for the children in our midst can rarely be disentangled from what we project backward for ourselves.” ~ Gideon Lewis Kraus, “Does Who You Are At 7 Determine Who You Are At 63?

Unsafe Safety Pin

Corridor Pin, Blue” is an enormous sculpture of a safety pin by Claes Oldenburg and Coosje van Bruggen. There are several of these sculptures on display in America: one is in New Orleans; the artists’ proof is in Dallas; and the one I saw stands in the Barbro Osher Sculpture Garden at the de Young Museum in San Francisco‘s Golden Gate Park. The sculpture is 21 feet (6.4 meters) tall and it is made of stainless steel and painted aluminum. The pointy end of the pin looks sharp enough to poke out a dinosaur’s eye. Good thing there are no dinosaurs roaming around Golden Gate Park. Or are there? The Tyrannosaurus rex skeleton on display at the California Academy of Sciences next door wasn’t always a skeleton. Perhaps T-Rex had impaled himself on a safety pin sculpture and that’s why his skeleton is now on permanent display!

Claes Oldenburg and Coosje van Bruggen were not only artistic collaborators but also husband and wife. They must have had so much fun deciding together what to make: “Let’s make a huge clothespin!”…”No, let’s make a big shuttlecock!”…”Why don’t we make a giant trowel today?”…”I feel the urge to make a flashlight for King Kong.”…”You know what the world needs? A massive pair of binoculars!” Their “Binoculars” sculpture anchors the Chiat/Day Building in Los Angeles designed by Canadian architect Frank Gehry. Coosje van Bruggen met Frank Gehry when they both served as adjudicators at Documenta, a contemporary art show in Kassel, Germany. Arne, my first friend in L.A., is from Kassel. In May, Arne gave me and Scott a grand tour of Kassel after we rendezvoused in Helsa. Yes, I share my name with a suburb of Kassel!

I took this photo of “Corridor Pin, Blue” last Sunday, just after a kind stranger had taken a group shot of me, Scott, Mama Chow, my Uncle Jeff, and my Auntie Lynne. We were in S.F. for a short but sweet family reunion: Jeff and Lynne live in Australia; Mama Chow lives in Canada; Scott now lives near Berkeley; and I live in L.A. Earlier that day, I had run 10 miles along the trails of Golden Gate Park while my family had wandered through the park’s Japanese Tea Garden and Conservatory of Flowers. It was a perfect day, really.

The 84th Annual Academy Awards

Yesterday afternoon, I ran some errands in Hollywood.  As I drove north along the 101 from DTLA, I noticed that my car was running on fumes so I exited the freeway and headed toward the closest gas station, a Chevron on N Highland Avenue.  When I saw that traffic was at a standstill near the gas station, I realized that I’d driven straight into Oscar madness!

The former Kodak Theatre, now known as the Hollywood and Highland Center Theatre since Kodak filed for bankruptcy recently, is where the 84th Annual Academy Awards will be held this evening.  The Theatre is 0.3 miles (0.5 km) away from the Chevron station.  Since I had my camera with me, I decided to fill ‘er up, park my car on a side street, and walk towards the Theatre to see what was happening on the red carpet.

Hollywood Avenue was shut down and a chain link fence kept the curious at bay.  Having shepherded many visitors through the Hollywood and Highland Center to take photos of the Hollywood Sign, Hollywood Walk of Fame, Grauman’s Chinese Theatre, and Kodak Theatre, I’m familiar with the nooks and crannies that afford a good view of the street below.  I took this photo of the red carpet while standing in front of Sun Taco on the third floor of the Center.  If you watch the ceremony tonight on TV, Sun Taco’s signage will be hidden from view by a glamorous gold curtain, which is hung each year to hide storefronts.

Angels Flight

On the final night of Mama Chow’s Christmas visit, we walked to dinner at L.A. Prime atop The Westin Bonaventure where we admired the Los Angeles skyline, had a nice meal, and then fought over the bill as good Asian families do (Mama Chow won).  On our way to the restaurant I took this photo of the Angels Flight railway, which we rode up Bunker Hill from Hill Street to California Plaza.  

This photo was a happy accident.  I had set the shutter speed at 15 seconds as it was dark outside, but then I forgot to turn off the camera’s flash.  The camera captured the train in motion.  The illuminated tower that hovers over the train is Los Angeles City Hall.  City Hall, which was completed in 1928, wasn’t even around when Angels Flight was built.  A plaque mounted onto a boulder next to the train station reads: 

Built in 1901 by Colonel J.W. Eddy, lawyer, engineer, and friend of President Abraham Lincoln, Angels Flight is said to be the world’s shortest incorporated railway.  The counterbalanced cars, controlled by cables, travel a 33 percent grade for 315 feet [96 meters].  It is estimated that Angels Flight has carried more passengers per mile [1.6 km] than any other railway in the world, over a hundred million in its first fifty years.  This incline railway is a public utility operating under a franchise granted by the City of Los Angeles.

Between 1901 and 1969, the railway ran along tracks which connected Hill Street and Olive Street at Third Street.  The railway was dismantled in 1969 to make way for redevelopment and was finally re-constructed in 1996 to operate at its current location until 2001, when its gear train failed.  The railcar at the top of the hill, Sinai, hurtled down the hill and crashed into the other railcar, Olivet.  One man died and seven people were injured in this accident.  Angels Flight re-opened in March 2010 and a one-way ticket to ride now costs 25 cents.   

In the film “500 Days of Summer” (2009), the main character Tom takes his girlfriend Summer to Angels Knoll Park.  The park is his favorite spot in Los Angeles as he can look out over a number of buildings he likes, although the view is spoiled by parking lots.  Seven dots of white light shine from these parking lots in my photo.  The Angels Flight railway runs through Angels Knoll Park.

Cemetery Cinema

The Hollywood Forever Cemetery is a unique setting to watch a film on a Saturday night.  Cinespia is in its tenth season of transforming this famous cemetery into a moonlit cinema.  Last weekend, we watched “The Sting” (1973) with 3,000 other movie lovers and the spirits of screen legends interred nearby.

In the daytime, the cemetery is popular with tourists who want to commune with dead celebs such as Looney Tunes voice actor Mel Blanc; producer Cecil B. DeMille; actor Douglas Fairbanks Sr.; “Golden Girl” Estelle Getty; philanthropist Griffith J. Griffith; guitarist Johnny Ramone; gangster Bugsy Siegel; and actress Fay Wray.  Hollywood Forever is bordered by strip malls and car repair garages so its glamour is a bit frayed at the edges.

As the sun set, we enjoyed a picnic with our Canadian friends Ethan and Zarene on the grass beside the mausoleum which holds Rudolph Valentino’s tomb.  The lawn was cool and damp so we sat on an unzipped sleeping bag as we dug into stromboli, salad, corn on the cob, and cake.  The group next to us huddled around a tablecloth covered in tea lights, so we were in fine company dining al fresco.  DJs Hair and Carlos Niño spun Bob Dylan and Portishead to keep the crowd feeling groovy.  Most smokers were kind enough to congregate near the porta-potties next to a field of parked cars.  Scott was smart to pack our camping headlamps so that we could find our way in the dark.

Just after sunset, “The Sting” was projected onto the side of Valentino’s mausoleum.  “The Sting” stars Robert Redford and the late Paul Newman as Depression-era grifters who con a mob boss out of half a million dollars.  The film won seven Academy Awards including Best Picture and Best Director in 1974.  It’s fun and exciting to watch – such a crowd-pleaser!

Jared Harris, Amoeba Music, and “The Rachel Papers”

Last week, “Mad Men” was filming an episode a couple blocks from our loft in downtown L.A.   As I waited to meet Jon Hamm (who plays Don Draper on the series), I took this photo of his co-star Jared Harris (who plays Lane Pryce, Don Draper’s former British overlord / new business partner).  The crew member I was speaking with as I snapped this shot was surprised that the British actor has fans in America.    

One of my favourite retail haunts in L.A. is Amoeba Music.  Amoeba Music is the world’s largest independent record store:  new and used vinyl, CDs, DVDs, posters, T-shirts…  it’s all there.  Our French friends Aude and Adrien brought us to the Haight-Ashbury store in San Francisco last summer and when we moved to L.A. last fall, I was eager to explore the Hollywood store on Sunset Blvd.  The original store is still open on Telegraph St. in Berkeley.

Recently, I bought a used DVD of “The Rachel Papers” (1989) at Amoeba Music.  I was excited to find it as I had seen the film once on late-night TV in the early 1990s.  I had liked the film enough to read the novel, which is by Martin Amis.  Scott watched the film with me and we’re sorry to report it hasn’t aged well despite its interesting cast:  Ione Skye, Jonathan Pryce, James Spader, and you guessed it, Jared Harris.  Although Jared Harris once lamented on NPR that being a chameleon-like actor is “good for the craft; crap for the career” and that “in this country, a good actor is confused with a famous actor”, we recognized him right away and are happy that he’s still a good actor and now a famous one, too.

Santa Catalina Island: “The Vanishing Canadian”

“I found my love in Avalon beside the bay / I left my love in Avalon and sailed away…”  Unlike Nat King Cole, I lost my love near Avalon this past weekend. 

On Sunday, I took a wrong turn near the end of our hike on Catalina Island.  That morning, we had taken a bus from Avalon up to the Airport in the Sky which is located 1,602 ft (488 m) above sea level.  After a delicious picnic with our French friends Aude and Adrien, we hiked five miles before hopping on a bus headed towards Avalon.  Along the way, we saw several bison.  Bison aren’t endemic to the area:  fourteen bison were brought to Catalina in 1924 during the filming of Zane Grey’s “The Vanishing American” (1925).  After shooting wrapped, the bison were set free to roam and propagate on the island.  Before the Catalina Island Conservancy thinned the herd to its current count of 150 to 200 animals, there were as many as 600 big brown beasts dotting the island’s grassy hills.  

Two miles from Avalon, we got off the bus so that we could walk under the eucalyptus trees which line Stagecoach Road.  We were on the outskirts of town when I lagged behind (again) to take photos.  Scott, Aude and Adrien kept walking as they assumed that I would eventually catch up with them.  This had been our routine all afternoon.  Unfortunately, I assumed that Scott had taken a staircase carved into the hill between two houses, which was a more adventurous path than sticking to the main road.  After I descended the staircase and walked for a bit, I realized that my party was nowhere in sight.  By then, I couldn’t find the staircase again, so the best thing I could do was walk through Avalon back to our campsite at Hermit Gulch.  Fortunately, Scott and our friends returned to our campsite as well once they realized I had taken a wrong turn and wandered away.  I’m sorry my stupidity caused them to worry and I’m happy we weren’t apart for long.  We cleaned up and went for a satisfying dinner at The Lobster Trap in Avalon:  the cioppino is excellent. 

Ironically, I was in a similar situation two years ago when I hiked the Manly to Spit Bridge Scenic Walkway near Sydney, Australia with Mama Chow.  During that hike, I was the one who had walked ahead on the trail and she was the one who had lagged behind to take photos.  Neither of us realized that there was a fork in the trail (it wasn’t on the map).  We took different paths and because hers turned out to be a shortcut, she ended up a mile ahead of me:  hikers I met on the trail told me that they had seen a small Asian woman with a big hat and that I needed to run if I was to catch up to her!  We were very relieved to find each other.  We finished the hike, took a taxi back to Sydney, and celebrated our final night in Australia by going out for sushi.

Bronson Caves a.k.a. The Bat Cave

The Bronson Caves in Griffith Park are best known as the Bat Cave where Batman and Robin parked the Batmobile in the 1960s when they weren’t busy saving the day in Gotham City.  The Caves were once part of a quarry which produced crushed rock used to pave streets in nearby Hollywood a century ago.  If you drive north on N. Bronson Avenue into Griffith Park, the road will lead you to a parking lot near the Caves.  If you drive south on N. Bronson Avenue to Melrose Avenue, it will lead you to the Bronson Gate of Paramount Pictures.  In 1954, an actor named Charles Buchinsky took his stage name from this Gate.  You might know and love him as “classic tough guy” Charles Bronson, star of “The Magnificent Seven” (1960), “The Great Escape” (1963), and “The Dirty Dozen” (1967).      

Last weekend, we explored the Bronson Caves with our Austrian friends Eleonore and Florian.  We found ourselves in the middle of an indie Sci-Fi Fantasy film set.  Cars parked on the dirt road leading up to the Caves displayed dashboard permits with the word “Hirokin” on them, so watch out for “Hirokin“:  it’s coming soon to a theatre near you.  We walked into a cave and found a giant plaster obelisk, fake boulders, and a member of the crew moving lights and cables around in the dark.  Beyond this cave, there was a tent village.  Actors dressed in linen tunics walked past a green screen to buy lunch at a snack truck parked in a makeshift lot.  On Mt. Lee a mile (1.6 km) away, the Hollywood Sign shone like a beacon over the set, a silent reminder to those toiling in the heat of what dreams may come:  fame, fortune, a percentage of the box-office…

Mulholland Dam

William Mulholland (1855 – 1935) was Chief Engineer of the Los Angeles Department of Water and Power when he designed the Mulholland Dam.  The Dam was constructed in 1923 as part of the controversial Hollywood Reservoir and Owens River Aqueduct System used to supply Los Angeles with most of its drinking water.  Frederick Eaton, the Mayor of Los Angeles from 1898 to 1900 and Mulholland’s political crony, blocked the U.S. Bureau of Reclamation from irrigating the Owens Valley and paved the way for water to be diverted south to Los Angeles from Owens Lake via an aqueduct system designed by Mulholland. 

The south-facing facade of the Dam is decorated with arches and a sleuth of California Grizzly Bears.  The Grizzly Bear is California’s State Animal, despite its extinction at the hands of settlers who colonized the state.  Bears that have been hunted to extinction guarding the ill-gotten drinking water of a sprawling car-dependent city in the desert:  which karmic debt will demand repayment first?

What goes around comes around:  Eaton’s fortune was wiped out in August 1927 when the Owens Valley Bank collapsed; Mulholland’s career came to an abrupt end when the St. Francis Dam failed in 1928.  Mulholland had supervised the St. Francis Dam’s construction and had pronounced it safe less than 24 hours before it collapsed and killed more than 500 people.  The Mulholland Dam was fortified after this disaster:  mounds of dirt were deposited against the south-facing facade of the Dam, underneath the concrete Grizzly Bears.

FUN FACTS:  

  • When viewed from the top of Mulholland Dam, the bas-relief grizzly bears look like a pack of golden retrievers. 
  • William Mulholland’s Metropolitan Water District offices were located on the top floor of the Million Dollar Theater in downtown L.A. 
  • The Oscar®-winning classic “Chinatown” (1974) was inspired by the Owens Valley – Los Angeles water controversy.

Gandhi’s Ashes in L.A.

On Friday night, we watched “Gandhi” (1982) on hulu.com.  I remember going to the cinema with my parents to watch this film when it was first released.  I was so small; I had to sit on everyone’s winter parkas to see the screen.  I had never seen a cremation before so the image of a burning funeral pyre was seared into my six-year-old brain.  

Mohandas Gandhi (1869 – 1948) was working as a lawyer in South Africa when he first decided to challenge the injustices faced by Indians living in South Africa.  When he returned to India in 1915, he started to question the status of Indians within the British Empire, and his own place in Indian society.  To highlight inequities perpetrated and perpetuated by the ruling class, Gandhi and his followers practiced non-violent civil disobedience for decades until Indians won freedom from British colonial rule in 1947.  He was assassinated in 1948 while on his way to address a prayer meeting.  After his cremation, his ashes were divided into urns that were sent across India to memorial services held throughout the country.  Most of Gandhi’s ashes have since been scattered along bodies of water, in keeping with the Hindu belief that releasing ashes into the water, the air, or the earth signifies the return of a body to its elements and smooths the spiritual transition to the afterlife. 

I was surprised to learn that some of Gandhi’s ashes are enshrined in Los Angeles at the Self-Realization Fellowship Lake Shrine Temple in Pacific Palisades.  On Sunday, we decided to make a pilgrimage to the shrine.  In 1950, a guru named Paramahansa Yogananda had built the shrine on the grounds of Inceville, a silent movie studio.  The property is now a twee theme park of religion, a pastiche of faith featuring statues, a waterfall, a windmill, a houseboat, and a temple which welcomes all creeds.  The Golden Lotus Archway is a “wall-less” temple that leads to the Gandhi World Peace Memorial, where a thousand-year-old Chinese sarcophagus holds a portion of Gandhi’s ashes.  The monument is an incongruous tribute to a man who was devoutly ascetic.

“How to Succeed in Business Without Really Trying”

Last night, the L.A. Conservancy’s 24th annual “Last Remaining Seats” film festival kicked off with a screening of “How to Succeed in Business Without Really Trying” (1967) at the Los Angeles Theatre. Time hasn’t dulled the edge of the satire: the film is based on a mock self-help management book by Shepherd Mead first published in 1952. Robert Morse played a window-washer who climbs the corporate ladder with the help of his “How to Succeed in Business Without Really Trying” manual; Michele Lee played his Girl Friday. Morse and Lee took the stage with “Mad Men” creator and executive producer Matthew Weiner for a brief chat before the lights went down. As they watched the film with the audience, they must have been pleased to hear everyone laughing and applauding throughout the screening. After the show, I was taking photos of the Theatre when a man asked me to take a photo of him and his friends with my camera. One of his friends was Michele Lee; she was very gracious in accepting my compliments on her performance.

Million Dollar Theater

Last week, I looked up as I walked past the Million Dollar Theater at 307 S. Broadway in downtown L.A.  Although I was rushing towards the Bradbury Building, where my Austrian friends Eleonore and Monika were waiting for me, I slowed down long enough to shoot the Theater’s 3rd St. facade.  It is absolutely stunning.   

In 1918, Sid Grauman built his first movie house, which became known as the Million Dollar Theater due to its lavish construction budget.  A century ago, Broadway was the center of L.A.’s nightlife, before subsequent Grauman properties such as the landmark Chinese Theater shifted the city’s entertainment district north to Hollywood.  The once-glamorous movie palaces that still stand along Broadway resemble a chorus line of showgirls past their prime, their expressions vacant yet expectant.  Efforts to revive the district are ongoing, yet the local arbiters of nostalgic fauxhemia seem stuck in the 1980’s:  acid-washed denim is ripe for a revival if window displays in neighbourhood vintage clothing shops are bellwethers of the fashion industry (and they are).

Once a year, the L.A. Conservancy hosts “Last Remaining Seats“, a classic film festival that draws audiences into these neglected cinemas.  It is an opportunity for us to appreciate downtown L.A.’s historical significance and support the conservation of these architectural gems.

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